nat adderley cornet


« Work Song » a notamment été reprise et adaptée en français par Claude Nougaro sous le titre « Sing Sing Song ».

[6], Adderley spent half the year touring and the other half at home in Lakeland, Florida, writing and recording. His most successful song was "Work Song" (January 1960), a hard bop tune. Diabetes led in 1997 to the amputation of a leg, which effectively ended his career.

The brothers stopped by the Café Bohemia in Greenwich Village when bassist Oscar Pettiford was playing.

[7] Putting school on hold, he played under Hampton from 1954 to 1955 and went to Europe on tour. Omissions? プロフィール: American jazz cornet and trumpet player.

In the film, Sammy Davis Jr.'s character plays the trumpet. The cover of "Introducing Nat Adderley" 1955 shows a Getzen Super Deluxe but it may just be a stock photo of a cornet. Both of them showed up ready to play. [15], Although Adderley started playing trumpet, he switched to the less common cornet.

In 1959 the Cannonball Adderley Quintet reunited for another attempt at popularity. [5], The turning point in the Adderley brothers' careers occurred on a trip to New York in 1955.

It was as a jazz educator, however, that he made his greatest mark.

De 1959 à 1975, il codirige le groupe (quintet ou sextet) de son frère aîné, « Cannonball ». The brothers stopped by the Café Bohemia in Greenwich Village when bassist Oscar Pettifordwas playing. The news of a new Getzen long cornet sounds really interesting. [3] This appearance was enough to renew their careers.

[13] He was interred near his brother in the Southside Cemetery in Tallahassee, Florida. He also enjoyed the cornet's historic quality, reinvigorating the instrument played by the founders of Dixieland jazz. Confident in his abilities, he played for Hampton, and Hampton invited him to join the band. Died: 2 January 2000 in Lakeland, Florida, USA (aged 68).

[11] During the same year, he was inducted into the Jazz Hall of Fame in Kansas City. The quintet was also widely known for their hard bop, which comprised roughly half of their recorded work.

Nat Adderley (né à Tampa en Floride le 25 novembre 1931, mort à Lakeland (Floride), Floride le 2 janvier 2000) est un cornettiste de jazz américain.. De son vrai nom Nathaniel Adderley, c'est le frère cadet du saxophoniste Cannonball Adderley et le père du pianiste Nat Adderley Jr. Both of them showed up ready to play. Nat played for trombonist J. J. Johnson for a couple of years and ended up in the Woody Herman sextet. En 1975, après le décès de son frère, Nat Adderley dirige ses propres groupes où l'on peut entendre, au fil des années, des musiciens comme Johnny Griffin, Sonny Fortune, Vincent Herring (en), ou Antonio Hart (en).

Nat Adderley (né à Tampa en Floride le 25 novembre 1931, mort à Lakeland (Floride), Floride le 2 janvier 2000) est un cornettiste de jazz américain. Especially in playing hard bop, he was not afraid to use the range of the instrument, often playing below the typical cornet range for short bursts before returning to the normal range.

[16] The point of soul jazz was to bring back a simpler type of jazz that had direct influence from blues and church music. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it.

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During the 1960s, Adderley acted as cornetist, composer, and manager for the quintet.

Adderley called it his "Social Security song" due to the steady flow of income over the years from to royalty payments when others recorded the song. He also enjoyed the cornet's historic quality, reinvigorating the instrument played by the founders of Dixieland jazz.[8]. The brothers moved to New York City to pursue their careers, founding the bop group Cannonball Adderley Quintet in 1956. [10] He proved that cornet could be a modern jazz instrument. Formed at the height of the popularity of hard bop (which evolved from and incorporated elements of gospel music and rhythm and blues), Cannonball’s second quintet, the Cannonball Adderley Quintet, was a success from the beginning.

[8], He lived on 112th Street in Harlem in the 1960s and in Teaneck, New Jersey, in the 1970s, before moving to Lakeland. Then Nat was pulled on stage, and everyone was equally impressed. [2] He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years.[1]. On y voit passer des musiciens comme Yusef Lateef, Wynton Kelly, Joe Zawinul, George Duke, etc. [6] His other significant project during this time was a musical.

[5] The group sound became known as soul jazz, starting the genre.

Job offers began pouring in, and Nat recorded for the fir…

His other popular songs include "Jive Samba", "Hummin'", "Sermonette", and "The Old Country".[8]. [8] This is a rougher, edgier style descended from bebop, and virtuosic abilities are required to be able to play it. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Updates? Nat Adderley était pourtant, un excellent soliste, un des rares spécialistes du cornet en jazz moderne, et un habile compositeur de thèmes. As a soloist and composer, Adderley had a wide range of abilities. Since Davis could not play the trumpet in real life, Adderley was hired to ghost everything that the character played. De 1954 à 1955, il fait partie du big band de Lionel Hampton. Soul jazz kept the group popular, while hard bop gave the musicians a chance to challenge themselves and demonstrate their abilities. He could improvise simpler, more soulful solos for soul jazz numbers, but he could experiment and show off all of his abilities for hard bop.

He preferred the darker tone of the conical cornet to the brighter sound of the cylindrical trumpet.

Adderley is widely attributed with the development and establishment of the 1960s style of soul jazz along with the rest of the members Cannonball Adderley Quintet. Il est amputé d'une jambe en 1997 à cause des complications de cette maladie, dont il meurt 3 ans plus tard. [8] He worked with Kenny Clarke, Wes Montgomery, and Walter Booker. Other projects included the 1966 film A Man Called Adam. He also lived near his brother in Corona, Queens.

He thought many of his greatest fans were in Japan, but Europeans were also enthusiastic about the music. Nat Adderley (November 25, 1931 – January 2, 2000)[1] was an American jazz trumpeter. He was survived by his wife, Ann; a son, Nat Adderley Jr. of West Orange, N.J.; a daughter, Alison Pittman of Palm Bay, Fla.; and five grandchildren.[14]. De son vrai nom Nathaniel Adderley, c'est le frère cadet du saxophoniste Cannonball Adderley et le père du pianiste Nat Adderley Jr. Il commence à pratiquer la trompette avant d'adopter définitivement le cornet en 1950. [10], In 1997, he joined the faculty of Florida Southern College as an artist-in-residence. The turning point in the Adderley brothers' careers occurred on a trip to New York in 1955. [5] "Work Song" is now considered a jazz standard.

De 1951 à 1953, il joue - comme d'ailleurs son frère - dans un orchestre militaire, le "36 th Army Band".

However, this is not the only style that Adderley wrote and played. He could produce a rich, earthy tone that became his signature sound, one that could only come from the cornet.
This time around the group was more successful and had its first hit, "This Here", written by pianist Bobby Timmons. In 1974 he began teaching at the New Orleans Center for Creative Arts, where his pupils included…, …a quintet with his brother Nat, a noted cornetist, that met with little success—although recordings made by the group received considerable praise years later. Adderley attended Florida University, majoring in sociology with a minor in music. After a year with Lionel Hampton’s big band (1954–55), he played in Cannonball’s first quintet (1956–57), then toured widely with J.J. Johnson’s group and the Woody Herman band. [1], Adderley created the Adderley Brotherhood, a sextet which included several members of the Cannonball Adderley Quintet. Since moving to New York, he had been recording outside the Adderley group.

Due to lack of popular interest, they disbanded the group in 1957. Nathaniel Carlyle Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University.

Cannonball rose to higher fame, joining the Miles Davis sextet alongside John Coltrane in time to record the album Kind of Blue. He could produce a rich, earthy tone that became his signature, one that could only come from the cornet. Page avec biographie et extraits audios : Dernière modification le 19 septembre 2019, à 19:58, http://www.npr.org/programs/jazzprofiles/archive/adderley_n.html, http://www.shout.net/~jmh/transcriptions/adderley-naturally.pdf, http://www.jazztrumpetsolos.com/solos.htm#Nat, https://fr.wikipedia.org/w/index.php?title=Nat_Adderley&oldid=162810754, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. On June 25, 2019, The New York Times Magazine listed Nat Adderley among hundreds of artists who lost material in the 2008 Universal fire.

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